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Displaying records 61 - 70 of 178.
A brief essay focusing on Roy DeCarava's Dancers, New York. Includes discussion questions and classroom activity suggestions.
Artwork and Artist Information: <em>Dancers, New York</em> by Roy DeCarava
Richard Cahan, historian, spoke about living with photographer Richard Nickel as a part of the symposium "From Fragment to Photograph—Interpreting Louis Sullivan's Architecture." He was introduced...
Audio Lecture: Living with Richard Nickel
A brief essay focusing on Lorna Simpson's Outline. Includes discussion questions and classroom activity suggestions.
Artwork and Artist Information: <em>Outline</em> by Lorna Simpson
The third issue (August, 1969) was printed on rougher paper to emphasize the bure, boke photography. Takanashi's disconcerting pictures of fashionable young people now had no context, and on...
3. <em>Purov&#333;ku: shis&#333; no tame no ch&#333;hatsuteki shiry&#333; (Provoke No. 3) </em>. Tokyo, Purov&#333;ku-sha, 1969, [p.22-23].
Ken Ohara's conceptual photobook One (1970) successfully achieved the Provoke aim of challenging language and producing a reaction not easily classified. The book is a series of...
4. Ken Ohara. <em>One</em>. Tokyo: Tsukiji Shokan, 1970, [p.266-267].
Yutaka Takanashi was already an established photographer when he joined Provoke. He joined the group partly because of Nakahira's charismatic persuasion and partly because, as he said, "...
1. Yutaka Takanashi. <em>Toshi-e</em>.  Tokyo: Takanashi Yutaka; Hatsubaimoto Izara Shob&#333;, 1974; plate 6, paperback.
One of the few women photographers in Japan in the 1970s was Miyako Ishiuchi. In her 1977 series Yokosuka Story, she returns to her hometown Yokosuka, also the home of a U.S. naval base...
1. Ishiuchi, Miyako. <em>Sweet Home Yokosuka 1976-1980</em>. New York: PPP Editions in association with Andrew Roth, Inc., 2010, cover.
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