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Art + Science was developed by the Art Institute of Chicago to support dialogue and collaboration between art and science teachers at the middle school level, with the ultimate goal of inspiring art...
Art + Science
This online scholarly catalogue is the second volume in the Art Institute’s scholarly digital series on the Impressionist circle. The catalogue offers in-depth curatorial and technical entries on 25...
This online scholarly catalogue is the first volume in the Art Institute’s scholarly digital series on the Impressionist circle. The catalogue offers in-depth curatorial and technical entries on 47...
This online scholarly catalogue is the museum’s third volume in its scholarly digital series on the Impressionist circle. This catalogue offers in-depth curatorial and technical entries on the five...
New evidence from colored washes that are now faded provides the opportunity to create digital simulations to approximate the unfaded appearance of three watercolors:...
The Sponge Diver, 1898-99. Watercolor, over graphite, on moderately thick, moderately rough, cream...
Painstakingly restored, three relief panels from the left wing of the Gates of Paradise and sections of the door's frieze...
Audio Lecture: The Gates of Paradise: Art and Innovation
Conservation: An Introduction Works of art come to the conservation lab in various states of preservation. Each work requires special care to assess the materials and techniques used by the artist,...
Conservation Information: Uncovering Watteau
The conservation photo-documentation shown here for Owen Jones's Psalms of David includes pre-treatment images of the front cover along with a detail of the upper-right corner of the book,...
7. <em>The Psalms of David (The Victoria Psalter), illuminated by Owen Jones</em>. London, 1861.
The conservation photo-documentation shown here for Owen Jones's Psalms of David includes pre-treatment images of the front cover along with a detail of the upper-right corner of the book,...
9. <em>The Psalms of David (The Victoria Psalter), illuminated by Owen Jones</em>. London, 1861.
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