The Art Institute of Chicago
Scope of the Collections
Collection Records

The institutional archives of The Art Institute of Chicago were generated by the institution's collecting, exhibiting and teaching activities. The open-ended character of the archival series determined the organization of the institutional archives, which mirrors the current organizational structure of the corporation. Four different records groups are identified:

  1. Museum Records
  2. School Records
  3. Affiliated Organizations
  4. Personal Papers

Records Group 1: Museum Records

Curatorial records:

Contains primarily exhibition records and office files of curatorial departments. Exhibition files are organized according to the originating department, and include research files, loan correspondence, installation and fundraising documentation, catalogue preparation files, press coverage and follow-up material. Of particular interest are files from the Annual Exhibition of American Painting and Sculpture, 1888+ ; the Annual Exhibition of the Artists of Chicago and Vicinity, 1897+ ; and the Annual Exhibition of Applied Arts, 1902-1923.

Series:

  • African and Amerindian Art. (1957+)
  • American Arts (before 1900). (1975+)
  • Architecture (1981+)
  • Asian Art (1922+)
  • European Decorative Arts & Sculpture and Classical Arts. (1914+)
    • Harding Collection of Arms and Armor
    • Thorne Miniature Rooms
  • European Painting (before 1900). (1926+)
  • Photography. (1956+)
  • Prints & Drawings. (1910+)
  • Textiles. (1961)
  • Twentieth Century Painting and Sculpture. (1953+)
    • Katharine Kuh Papers. (1953-1957)
    • A. James Speyer Papers. (1961-1986)
    • Artists Biographical Data Sheets. (1948-1965)

Office of the Director:
Office files of the directors, containing correspondence with artists, collectors, dealers, scholars, other museums, trustees, staff, etc. Until 1958 the director served as chief curator as well as top administrator. During several periods in the institution's history, the directorial responsibilities were divided.

Sreies:

Libraries and Archives:

Records of the Ryerson Library (1901-1957), the Burnham Library of Architecture (1912-1957), and the Ryerson and Burnham Libraries (1957+). The two libraries were merged administratively in 1957, but were not integrated physically until 1967. The records consist primarily of annual reports of the librarians, documentation on major library acquisitions, special projects such as oral histories and microfilming of architectural drawings, and the building history of the libraries.

Museum Education:
First established as the Department of Museum Instruction in 1913, the name changed in 1934 to the Department of Museum Education. Prior to 1913, museum guides were available, and on occasion this service was referred to as the Museum Guidance Department, never officially established, and with no permanent staff member assigned to this: senior museum staff members and volunteers performed this service.

  • Gallery of Art Interpretation, 1926-1954
  • Garfield Park Art Gallery, 1935-1937
  • Junior Museum, 1963+
Museum Registration:

Records of transactions involving museum collections: Accessions, deaccessions, loans, insurance information, shipping arrangements, condition reports, etc. The majority of the records consists of shipping orders and receipts of object. Access restrictions apply.

Interesting for researchers is the Collection Records series: files arranged by donor or collection name, including correspondence, lists, appraisals, biographical data, etc.

Public Affairs:
Press releases, news clippings, audio-visual press coverage and other publicity about Art Institute exhibitions and events.

Series:

  • Press releases
  • Press coverage (microfilm access only)
  • Audio-Visual material
  • Office files
Corporate Records (Office of the Secretary):

Essential archival records of the corporation, documenting the founding of museum and school, changes in its corporate structure and policies, and history of gifts, estates and bequests to the institution.

Series:

  • Records of gifts, bequests and estates (access restricted)
  • Charter and by-laws
  • Minutes of the Board of Trustees and its committees, 1879-1991
  • Annual reports, 1880-1997
Historic photographs:

Photographs of exhibition installations, buildings occupied by the museum and school, special events, school classes, artists and administrators.

Records Group 2: School Records

  • Dean's Office
  • Former faculty files, 1880-1987
  • SAIC Student Publications
  • Circular of Instruction, 1879+
  • Alumni Associations
  • Ox-bow Summer School

Note: The Archives Department is not the repository for student records. All inquiries regarding confirmation of enrollment, courses taken, credits received, as well as requests for transcripts must be directed to the Department of Registration Records of The School of the Art Institute, 37 South Wabash Avenue, Chicago, IL 60606-3107, Tel.(312)899-5117.

Records Group 3: Affiliated Organizations

Series:

  • Society of Decorative Art, 1877-1894
  • Antiquarians of the Art Institute, 1894-1908
  • Antiquarian Society, 1908+
  • Architecture Society, 1983+
  • Friends of American Art, 1910-1945
  • Friends of the Ryerson and Burnham Libraries, 1984+
  • Society for Contemporary American Art, 1940-1967
  • Society for Contemporary Art, 1967+
  • Woman's Board, 1952+
    • Art Rental and Sales Gallery, 1954-1980
  • Goodman Theatre:
    The Goodman Theatre and the Goodman School of Drama was part of the School of the Art Institute from its founding in 1925 until 1978, when the school became a part of DePaul University; it was called the DePaul/Goodman School of Drama until 1985, when the name was changed to The Theatre School, DePaul University.

    The Goodman records in the Art Institute archives consist of printed matter from between 1925 and 1948, primarily programs of performances, including those of the Children's Theatre and Goodman School of Drama students, and miscellaneous related items such as sample tickets and broadsides; calendars; publicity, and subscription information.

Records Group 4: Personal Papers

These records are from outside sources. They relate in some way to the history of The Art Institute of Chicago, to individuals closely associated with the institution, or the collections.

Similar materials with no AIC association have been transferred to the Ryerson and Burnham Archives of the Ryerson and Burnham Libraries.

  • Bartlett, Frederick Clay (1873-1953)(artist, teacher, donor, trustee)
  • Blake, Margaret Day (donor, trustee, founder of Woman's Board)
  • Chassaing, Edgar and Olga (artists, teachers)
  • Gardner, Helen (1878-1946)(teacher)
  • Halstead, Whitney (1926-1978)(teacher, biographer of Joseph Yoakum, 1886-1972)
  • Harding, George (1868-1939)(collector, founder of Harding Museum)
  • Schniewind, Carl (1900-1957) (curator)
  • Taft, Lorado (1860-1936)(artist, teacher)
  • Tyler, Alice Kellogg (1866-1900)(teacher)
  • Ufer, Walter (1876-1936)(artist)
  • Wade, Caroline (1857-1943)(artist, teacher)