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Biographical Summary
George Edson Danforth was born in 1916 in LaHarpe, Kansas. He
studied architecture as an undergraduate (1936-40) and graduate
student (1941-43) under Mies van der Rohe at the Illinois Institute
of Technology (formerly the Armour Institute of Technology) in
Chicago. While attending IIT, Danforth worked as draftsman in
the architectural office of Mies van der Rohe from 1939 through
1944, and taught at IIT from 1941 until 1953. After serving in
the U.S. Navy (1944-46), he maintained a private practice in Chicago
from 1949 through 1961, and was joined by Daniel Brenner and H.P.
Davis Rockwell in 1961, when the firm was renamed Brenner, Danforth,
Rockwell. Danforth retired from the subsequent firm, Danforth,
Rockwell, Carow, in 1980. In addition to an active practice, Danforth
also maintined an academic career, teaching at Western Reserve
University in Cleveland, Ohio from 1953 to 1959 and at IIT until
1975. Danforth was elected to the College of Fellows of the American
Institute of Architects in 1967. Danforth died in Chicago, Illinois, in 2007.
Interview Highlights
Danforth speaks about IIT before and after Mies's appointment;
Mies's IIT campus plan; Lilly Reich; Ludwig Hilberseimer; Walter
Peterhans; working in Mies's office; teaching; opening his own
firm; Brenner, Danforth, Rockwell commissions, including the Lincoln
Park Zoo, the National Design Center, the Speed Museum of Art,
and H.P. Davis Rockwell's home, "House on a Bluff";
his view of Mies; Danforth's dream project.

Lincoln Park Zoo, Great Ape House, (detail), Chicago, IL,
1973. Department of Architecture, The Art Institute of Chicago.
Interview Excerpt
"I knew [Mies van der Rohe, Ludwig Hilberseimer, and Walter
Peterhans] so well and for so long...Hilbs was very easy to get
to know quite early on. He was a fatherly sort of person....Mies
was not foreboding in any way, but he was a slightly more distant
personality to get to and to get to know....Mies was never the
'warm' person that Hilbs was in personality and outgoingness...Some
people were put off by it, yes, who could not understand that
you could be working with someone and not have the man say something
every five minutes. He often didn't say anything for hours...A
lot of people, of course, simply couldn't assimilate, take that
kind of instruction. Hilbs would be much more vocal. Peterhans,
on the other hand, was even more tacit a person in personality
and would work very closely with the student. He was working with
visual values, which are harder to deal with and teach anyway,
problems of proportions, texture...rhythm, and all the other visual
values....They were a strangely differing group of men in their
personalities, in the way they worked with students. In their
respective ways, once you got to know them and work with them,
they were highly effective." (pp. 22-23)

H.P. Davis Rockwell, designer, "House on a Bluff,"
Olympia Fields, IL, 1963. Photograph by Richard Nickel, courtesy
of H.P. Davis Rockwell, with permission of the Richard Nickel
Committee.

Speed Museum of Art, addition, Louisville, KY, 1972. Photograph
by Day Johnston, used with permission. Daniel Brenner Papers,
Ryerson and Burnham Archives, The Art Institute of Chicago.
Other Resources at The Art Institute of Chicago
Architectural drawings may be consulted by appointment in the
Department
of Architecture. Archival materials relating to the life and
career of Daniel Brenner, including the work of Brenner, Danforth
& Rockwell, are available in the Ryerson
& Burnham Archives. See also the oral history of John
Vinci, an associate at Brenner, Danforth, Rockwell.
See also oral histories of students and colleagues at IIT: Jacques
Brownson, Werner Buch, Alfred
Caldwell, Joseph Fujikawa, Myron
Goldsmith, James Hammond, Gertrude
Kerbis, Reginald Malcolmson,
Carter Manny, William
Priestley, Ambrose Richardson,
A. James Speyer, Gene
Summers, and Y.C. Wong.
Funding for this oral history was provided by The Art Institute
of Chicago and the Canadian Centre for Architecture.

About the Chicago Architects Oral History Project
Department of Architecture Ryerson & Burnham Archives
Send questions or comments to:
Ryerson & Burnham Archives, Chicago Architects Oral History Project
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