Rochas Mermaid Dress (Lisa Fonssagrives-Penn), Paris, 1950, printed June 1979
Platinum-palladium print, edition 8/25
50 x 50 cm (image); 63.1 x 56 cm (paper); 66.1 x 56 cm (mount)
Gift of Irving Penn, 1996.237
In July 1950, Vogue magazine sent Irving Penn to Paris to document that year’s fall couture collections. Over the course of ten days, clothes by Balenciaga, Dior, Rochas, and others were rushed to an old top-floor studio, where Penn posed models against a discarded theater curtain. The resulting photographs, spread across two September issues, marked a stark departure from the elaborately staged sets favored by fashion photographers of the previous decade. Among the models, Lisa Fonssagrives was a standout—in 1949, at age 38, she had become the first model to grace the cover of Time magazine, earning the title “Billion-Dollar Baby.” The statuesque icon first captured Penn’s attention at a 1947 photo shoot, and in the years that followed she became his muse and collaborator. Just a few weeks after this photograph was taken the two were married.
— Permanent collection label
Chicago, Art Institute of Chicago, Gallery 10 Permanent Collection Rotation, May 10-September 28, 2014.
Chicago, Art Institute of Chicago, “Irving Penn, A Career in Photography,” November 22, 1997–February 1, 1998; traveled to St. Petersburg, Russia, State Hermitage Museum, March 1–May 16, 1998; Hamburg, Germany, Deichtorhallen, June 18–September 6, 1998; Munich, Germany, Müchner Stadtmuseum, October 6, 1998–February 21, 1999; San Francisco, California, Friends of Photography/Ansel Adams Center for Photography, November 11, 1999–January 23, 2000; Museum of Fine Arts, Houston, March 25–June 4, 2000; Paris, France, Maison Européenne de la Photographie, September 13–November 5, 2000. (Colin Westerbeck)
Chicago, Art Institute of Chicago, "Paris: Photographs from a Time that Was," August 13–November 6, 2005. (David Travis)
Penn, Irving. 1960. “Moments Preserved.” Simon and Schuster. p. 27. (other print of this image/variant with different cropping)
Gruber, L. Fritz. 1965. “Beauty: Variations on the Theme Woman by Masters of the Camera—Past and Present.” Focal Press. p. 49. (other print of this image/variant with different cropping)
Hall-Duncan, Nancy. 1979. "The History of Fashion Photography." Exh. cat. International Museum of Photography at George Eastman House/Alpine Book Company. p. 145. (other print of this image)
Gruber, L. Fritz and Reinhold Misselbeck. 1983. "Glamour and Fashion.” Exh. cat. Museum Ludwig. p. 15, fig. 11.1. (other print of this image)
Museum Ludwig. 1984. “Sammlung Gruber: Photographie des 20. Jarhunderts.” Exh. cat. Museum Ludwig. p. 344. (variant/other print of this image)
Szarkowski, John. 1984. "Irving Penn." Exh. cat. Museum of Modern Art/New York Graphic Society Books. pl. 58. (other print of this image)
Foresta, Merry A. and William F. Stapp. 1990. “Irving Penn: Master Images.” Exh. cat. National Museum of American Art and National Portrait Gallery/Smithsonian Institution Press. p. 41, cat. 28. (other print of this image)
Penn, Irving. 1991. “Passage: A Work Record.” Knopf. p. 81 (other print of this image/variant with different cropping)
Harrison, Martin. 1996. “Lisa Fonssagrives: Three Decades of Classic Fashion Photography.” Vendome Press. p. 142. (other print of this image)
Westerbeck, Colin. 1997. “Irving Penn: A Career in Photography.” Exh. cat. Art Institute of Chicago/Bulfinch Press. p. 179, cat. 72.
Travis, David. 2005. "Paris: Photographs from a Time that Was." Exh. cat. Art Institute of Chicago/Yale University Press. p. 85.
Given by the artist to the Art Institute, 1996.