Attributed to The Painter of Naples 3136
Oinochoe (Pitcher), about 440 B.C.
Terracotta, red-figure technique
H. 19.3 cm (7 5/8 in.) diam. 13.7 cm (5 3/8 in.)
Gift of Martin A. Ryerson through The Antiquarian Society, 1907.12
Below the pouring spout of this shiny black vessel is a youthful musician holding a seven-stringed lyre, its sound box rendered to look like tortoiseshell. The plectrum, or pick, is tied to the lowermost of the instrument’s two upright bars. A himation, or mantle, falls from his left shoulder. Unusually, he wears leggings. The wreath encircling his head is a common accessory of symposium attendees. Perhaps he has or will perform for the gathering of men.
—Permanent collection label
The Art Institute of Chicago, Ancient Art Galleries, Gallery 155, 1994 - February 2012.
The Art Institute of Chicago, Of Gods and Glamour: The Mary and Michael Jaharis Galleries of Greek, Roman, and Byzantine Art, Gallery 151, November 11, 2012 - present.
Alexander, Karen B. 2012. "From Plaster to Stone: Ancient Art at the Art Institute of Chicago." in Recasting the Past: Collecting and Presenting Antiquities at the Art Institute of Chicago, by Karen Manchester, p.38. Art Institute of Chicago/Yale University Press.