The Miracles of Mary (Te'amire Maryam), Late 17th century, reign of Yohannes (1667–82) or Iyyasu I (1682–1706)
Parchment, ink, tempera, wood, leather, cotton, and string
36.8 x 31.8 x 9.5 cm (14 1/2 x 12 1/2 x 3 3/4 in.)
Ada Turnbull Hertle and Marian and Samuel Klasstorner endowments, 2002.4
The Story of the Clubfooted Man is one of 72 hand-painted illustrations from a lavish 158-page bound manuscript devoted to the miracles of Mary. It was created in the late 17th century in Gonder, the newly established capital of Christian Ethiopia's Solomonic kings. The manuscript is part of a closely related group of manuscripts that were created during a period of great artistic innovation in Christian Ethiopia, when manuscript illuminators were exploring new approaches to their art including the introduction of narrative illustrations. It is likely that this book was commissioned by a wealthy individual as a high-status guide for family devotion.
— Descriptive text
London, Sam Fogg Rare Books and Manuscripts, Ethiopian Art, Sept. 12–Oct. 9, 2001, cat. 24.
New York, N.Y., The Museum for African Art, Art That Heals: The Image as Medicine in Ethiopia, Feb. 7–Aug. 31, 1997, pp. 79 (ill.).
Kathleen Bickford Berzock, The Miracles of Mary: A Seventeenth-Century Ethiopian Manuscript (Art Institute of Chicago, 2002).
Kathleen Bickford Berzock, "The Miracles of Mary (Te'amire Maryam)," Notable Acquisitions at the Art Institute of Chicago, Art Institute of Chicago Museum Studies, vol.29, no. 2 (2002), pp. 12-13 (ill.).
Kathleen Bickford Berzock, “Original Branna, Precous 17th Century Illuminated Manuscripts Tell of Saints and Miracles,” Branna, vol. 1, issue 2 (Winter 2002), pp. 78-79 (ill.).
Mary Gerhart and Fabian E. Udoh, eds. The Christianity Reader (Chicago: The University of Chicago Press, 2007), cover (ill.).
Ginette Giordana (died 2013), Nimes, France, about 1980; sold to Sam Fogg, Sam Fogg Rare Books and Manuscripts, London, 1990; sold to the Art Institute, 2002.