Japanese

Displaying records 1 - 10 of 20.
Lacscape and woman from Ohara, from an untitled hexaptych depicting a pair of folding screens
Ryuryukyo Shinsai
Japanese, c. 1764-1820
Lacscape and woman from Ohara, from an untitled hexaptych depicting a pair of folding screens, c. 1825
Blue Shell (Aogai), from the series "Five Colors (Goshiki no uchi)"
Ryuryukyo Shinsai
Japanese, c. 1764-1820
Blue Shell (Aogai), from the series "Five Colors (Goshiki no uchi)", c. 1820
Fish and shells
Ryuryukyo Shinsai
Japanese, c. 1764-1820
Fish and shells, 1821
Jewel of the Full Tide (Manju), from the series "The Palace of the Dragon King (Ryugu)"
Ryuryukyo Shinsai
Japanese, c. 1764-1820
Jewel of the Full Tide (Manju), from the series "The Palace of the Dragon King (Ryugu)", 1820
Mii Temple, from the series "Eight Views of Omi (Omi hakkei)"
Ryuryukyo Shinsai
Japanese, c. 1764-1820
Mii Temple, from the series "Eight Views of Omi (Omi hakkei)", early 19th century
Landscape and Oharame (a woman from Ohara), from an untitled hexaptych depicting a pair of folding screens
Ryuryukyo Shinsai
Japanese, c. 1764-1820
Landscape and Oharame (a woman from Ohara), from an untitled hexaptych depicting a pair of folding screens, c. 1825
Empress Komyo (Komyoko), from the series "Three Beautiful Women (San bijin)"
Ryuryukyo Shinsai
Japanese, c. 1764-1820
Empress Komyo (Komyoko), from the series "Three Beautiful Women (San bijin)", c. 1820
Bird cage and flowers
Ryuryukyo Shinsai
Japanese, c. 1764-1820
Bird cage and flowers, early 19th century
Blue Shell (Aogai), from the series "Five Colors (Goshiki no uchi)"
Ryuryukyo Shinsai
Japanese, c. 1764-1820
Blue Shell (Aogai), from the series "Five Colors (Goshiki no uchi)", c. 1820
Jar, scales and bowl, no. 6 from the series "The Rabbit's Boastful Exploits (Usagi tegarabanashi)"
Ryuryukyo Shinsai
Japanese, c. 1764-1820
Jar, scales and bowl, no. 6 from the series "The Rabbit's Boastful Exploits (Usagi tegarabanashi)", 1819
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