About This Artwork

Joseph Cornell
American, 1903–1972

Soap Bubble Set, 1948

Box construction
9 x 13 x 3 3/4 in.
Titled, signed, dated, and inscribed on back, center, on book page: SOAP BUBBLE SET (typed) / Joseph Cornell. (in artist’s hand) Joseph Cornell / 1948 / Upper level should contain / large blue glass marble,- / lower level, a wooden white / ball and a small (3/4”) blue / glass marble. If contents in / glass become deranged they / may be set in order by remov- / ing top of box. (typed)
Inscribed on back, lower center, on paper label: Delicate sprig of coral in glass should / be adjusted to show prominently in case / of derangement. (typed)
Lindy and Edwin Bergman Joseph Cornell Collection, 1982.1861

Art © The Joseph and Robert Cornell Memorial Foundation / Licensed by VAGA, New York, NY

Joseph Cornell’s box constructions are poetic distillations of memory and experience, which combine a modern sensibility for space, form, and surface with a delicate attention to the associative power of objects. In Soap Bubble Set, a white ball rests precariously on a glass shelf in stark in contrast to the theatrical blue velvet background. Bearing resemblance to both a bubble and the moon, this ball seems to float in space above a clay pipe at the base of the box. Aside the white ball, a small blue marble alludes to a planetary or heavenly body circling around the moon. A larger marble at the top of the box, however, refers to the bubble of a spirit level, a calibrated glass device used for measuring the horizontality of surfaces. The reference to a spirit level illustrates Cornell’s concern regarding the derangement of the objects and their capacity for displacement.

Exhibition, Publication and Ownership Histories

Exhibition History

Beverly Hills, California, Copley Galleries, Objects by Joseph Cornell, 1948, no. 19, as Soap Bubble Set (Spirit Level).

Bennington, Vermont, Bennington College, The New Gallery, Bonitas Solstitialis and an Exploration of the Colombier: Selected Works by Joseph Cornell, 1959, no. 4, as Spirit Level.

New York, The Solomon R. Guggenheim Museum, Joseph Cornell, 1967, no. cat. nos., pp. 23, 36 (ill.). Chicago 1982, no. S-10.

Publication History

Dore Ashton, A Joseph Cornell Album, 1974, p. 56 (ill.).

Ownership History

Sold by the artist to William Copley, Beverly Hills, California, by 1948. Mrs. De Menocal Simpson, New York. Stable Gallery, New York, 1967; sold to Lindy and Edwin Bergman, Chicago, 1967; partially given to the Art Institute, 1982; remaining percentage given to the Art Institute, 2006.