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About This Artwork
Into the World There Came a Soul Called Ida, 1929–30
Oil on canvas
142.9 x 119.2 cm (56 1/4 x 47 in.)
Inscribed lower right: Ivan Le Lorraine Albright
Gift of Ivan Albright, 1977.34
Replete with symbolic references to the fleeting nature of time and beauty, Into the World There Came a Soul Called Ida offers a modern interpretation of the traditional vanitas theme. The model—a pretty young woman named Ida Rogers—studies her ravaged appearance in a hand mirror, holding a powder puff to her chest as if to conceal her aging body. The dramatic light renders her fleshy, mottled legs grotesque, while the looming darkness and the multiple perspectives used throughout the composition increase the sense of uneasiness projected by the painting. This work is a powerful reminder that the passage of time can be relentless and unforgiving.
— Permanent collection label
Art Institute of Chicago, Paintings by George and Martin Baer and Ivan Le Lorraine Albright, July 23-October 11, 1931, no. cat.
Chicago, Increase Robinson Galleries, Annual Exhibition of the Chicago Society of Artists, 1931, received Gold Medal.
Art Institute of Chicago, 37th Annual Exhibition by Artists of Chicago and Vicinity, January 12-March 5, 1933, cat. no. 6 as The Lord in His Heaven Above and I in My Room Below.
Chicago Art Fair, Grant Park, July 1933.
Pittsburgh, Carnegie Institute, 1933.
White Sulphur Springs, W.Va., Old White Art Gallery at the Greenbrier Hotel, Ivan Le Lorraine Albright, July-August, 1935, cat. no. 2.
Chicago, Walden Book Shop Gallery, 1935.
Springfield Art League, Springfield Museum, Mass. Jan.-Feb. 1937.
New York, Whitney Museum of American Art, 1937 Annual Exhibition of Contemporary American Painting, November 20-December 12, 1937, cat. no. 61.
San Francisco, Ca., Golden Gate International Exposition, Department of Fine Arts, Contemporary Art,
[February 19-October 29], 1939, cat. United States 5.
New York, Museum of Modern Art, American Realists and Magic Realists, 1943, cat. no. 29.
New York, Associated American Artists Galleries, First Joint Exhibition: The Albright Twins, October 22-November 10, 1945, cat. no. 2.
Colorado Springs, Colo., Fine Arts Center, New Accessions – U.S.A., July 12-September 5, 1948, cat. no. 11, ill.
New York, Museum of Modern Art (organizer), exhibited in Paris, Musée National d’art Moderne, under 12 Peintres et sculpteurs Américains contemporains, April–June, 1953, as Venue au monde d’une creature du nom d’Ida, cat. 1; Kunsthaus Zürich, under Amerikanische Maler und Bildhauer der gegenwart, July 25–Aug. 30, 1953, p. 15, cat. 1, as Eine Seele kam zur Welt, Ida; Helsinki, Taidehalli, under Kaksitoista Nykyaikaista Amerikkalaista maalaria ja Kuvanveistäjää, Jan. 8–24, 1954, p. 10, cat. 1, as Sielu, Idaksi nimitetty, astui maa.
Philadelphia, Pennsylvania Academy of the Fine Arts, The 151st Annual Exhibition of Painting and Sculpture, January 22-February 26, 1956, cat. no. 15.
Lake Forest College, Ill., A Century of American Painting, June 9-16, 1957.
Art Institute of Chicago, Ivan Albright Retrospective Exhibition, October 30-December 27, 1964; traveled to New York, the Whitney Museum, February 3-March 21, 1965.
Art Institute of Chicago, Works by Ivan L. Albright from the Collection, October 21-December 10, 1978.
Chicago, Richard L. Feigen & Co., Ivan Albright, September 9-October 15, 1988.
Kunst-und Austellungshalle der Bundesrepublic Deutschland, June 18-September 20, 1992.
Art Institute of Chicago, Ivan Albright, February 20-May 11, 1997, cat. no. 17; traveled to New York, the Metropolitan Museum of Art, June 10-September 7, 1997, as Ivan Albright: Magic Realist.
Kunsthalle de Hypo-Kulturstiftung, Munich, Germany, Realism in the Twentieth Century, June 1-September 2, 2001.
Terra Museum of Art, Chicago, IL, "Chicago Modern:, 1893 – 1945: Pursuit of the New," 17 July 2004 – 31 October 2004
“Albright’s Ida Wins Chicago Gold Medal,” The Art Digest, Dec. 15, 1931, p. 6, ill.
“Albright’s Aging ‘Ida’ Repeats Her 1931 Chicago Triumph in Springfield,” The Art Digest, Feb. 1, 1937, p. 12, ill.
“Lavender and Old Bottles,” Time, Nov. 24, 1941, p. 18.
Daniel Catton Rich, “Ivan Le Lorraine Albright Our Own Jeremiah,” Magazine of Art, Feb. 1943, pp. 49-51.
Frederick c. Othman, “Black Eye Artist Goes to Work on Dorian Gray Film,” Hollywood (UP), Nov. 30, 1943.
C.J. Bulliet, “Albright’s ‘Dorian Gray’ Hollywoodian in its Horror,” Chicago Daily News, July 28, 1945.
Jo Gibbs, “The Albright Twins—Decay, Charm, Confusion,” The Art Digest, Nov. 1, 1945, p. 12, ill.
“A Look at the Albrights,” Newsweek, Nov. 5, 1945, ill.
Harriet and Sidney Janis, “The Painting of Ivan Albright,” Art in America, Jan. 1946, pp. 43-49.
“Texture, The Neglected Element,” Design, March 1951, p. 24.
John I.H. Baur, “American Art After 25 Years: A Richer Diversity Than Ever Before,” The Art Digest, Nov. 1, 1951, pp. 15-18, ill. p. 17.
Dorothy Bridaham, “The Paintings of Ivan Albright,” Chicago, April 1954, pp. 20-41, ill. p. 24.
“12 Amerikanska Malere och skulporer pa Liljevalchs,” Konstrevy, 30, 1 (1954), p. 17, ill.
John I.H. Baur, New Art in America: 50 Painters of the 20th Century (New York: Frederick A. Praeger, 1957), pp. 198-202, ill. p. 198.
“More than a Portrait,” Time, July 22, 1957, p. 56.
WFMT Fine Arts Guide, Chicago, November, 1960, p. 67.
Edith Weigle, “The Genius of Ivan Albright, Chicago Tribune Magazine, Jan. 27, 1963.
Edward Barry, “Big Albright Exhibit—Tribute to a Chicagoan,” Chicago Tribune, Oct. 25, 1964, p. 111, ill.
“Growth and Death, Newsweek, Nov. 23, 1964, p. 105.
Robert Coates, “The Art Galleries: Chaos,” The New Yorker, Feb. 13, 1965, pp. 128-130.
John Canaday, “Meet Ivan Albright,” New York Times, Nov. 7, 1965.
Margarita Walker Dulac, “Ivan Albright: Mystic Realist,” American Artists, Jan. 1966, pp. 32-76, ill. p. 34.
El Mundo de los Museos, The Art Institute of Chicago, Editorial Codex, S.A. Madrid Spain, 1967, ill. p. 32.
Jan van der Marck, “Ivan Albright: More Than Meets the Eye,” Art in America, Nov./Dec. 1977, pp. 93-98.
Michael Croydon, Ivan Albright (New York: Abbeville Press, 1978), pp. 49-50, 199, 244, plates 6-8.
Alan G. Artner, “At 81, Ivan Albright Enjoy his Gift of Second Sight,” Chicago Tribune, Arts and fun Section, Oct. 22, 1978.
Paul Cummings, Artists in Their Own Words (New York: St. Martin’s Press, 1979), pp. 48-63.
Fritz Neugass, “Ivan Le Lorrain Albright,” Das Kunstwerk, 1980, ill.
“Ivan Albright,” The New Renaissance, 4, 3, 14 (Spring 1981), pp. 31-40, ill. p. 34.
Mitchell Douglas Kahan, Subjective Currents in American Painting of the 1930s, Ph.D. Dissertation, City University of New York, 1983, ill. no. 34, pp. 100-101, 106.
Mahonri Sharp Young, “Other Regionalisms in American Painting,” Apollo, Nov. 1984, pp. 327-334, ill. p. 334.
Master Paintings in the Art Institute of Chicago (Harry N. Abrams, Inc., 1991).
Helen O’Connor, A Mirror of the Soul: the Evolution of Consciousness as Expressed in Art, 1992.
Art Institute of Chicago, The Art Institute of Chicago: Twentieth-Century Painting and Sculpture, selected by James N. Wood and Teri J. Edelstein (Art Institute of Chicago, 1996), p. 66, ill.
Judith A. Barter et al., "American Modernism at the Art Institute of Chicago, From World War I to 1955," (Art Institute of Chicago/Yale University Press, 2009), cat. 90.
Ivan Albright, Chicago, 1930; given to the Art Institute, 1977.