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About This Artwork
Man of Sorrows, 1950
44.4 x 25.4 x 25.4 cm (17 1/2 x 10 x 10 in.)
Inscription: signed and dated on back, chiseled into stone: "MP 50"
Pauline Palmer Prize Fund, 1951.129
In the 1950s, Marion Perkins was one of Chicago’s foremost sculptors. He participated in nearly one dozen invitational exhibitions at the Art Institute of Chicago from 1942 to 1957 and received three awards of distinction. His career was capped by the museum’s 1951 purchase of one of his most extraordinary pieces, Man of Sorrows. This sculpture is indeed powerful, but its emotional intensity is not achieved through brute force of carving or any “primitivizing” influence. Rather, it succeeds through its brilliant balance of exaggeration and restraint. Its sheer physical presence is conveyed through the impressive bulk of the marble block—often scavenged from abandoned buildings. The head’s simplified, protruding eyes are shut tight; the pursed lips are both hidden and defined by a short stubby beard; the hair is veined with smoothly carved thorns. Christ’s contained expression of agony is arresting.
Chicago, Art Institute of Chicago, "55th Annual Exhibition, Artists of Chicago and Vicinity," May 31– July 8, 1951, cat. 130.
New York, The Downtown Gallery, "Artists of Chicago," September 14–October 5, 1954; 1020 Art Center, Chicago, Illinois, October 15-November 15, 1954.
Highland Park, Illinois, Willet House,"Week of Art in Highland Park," February 2–March 1, 1959.
Chicago, The Art Institute of Chicago, "Art in Illinois, In Honor of the Illinois Sesquicentennial," June 15– September 8, 1968, checklist only.
Springfield, Illinois, Illinois State Museum, "Painters and Sculptors in Illinois: 1820-1945," October 30– December 12, 1971; Krannert Art Museum, University of Illinois, Champaign, Illinois, February 6–27, 1972; Lakeview Center for the Arts and Sciences, Peoria, Illinois, March 10–April 16 1972; Chicago Historical Society, April 26–June 24, 1972, cat. 61. Organized by Illinois Arts Council.
Los Angeles County Museum of Art, "Two Centuries of Black American Art," September 30–October21, 1976; The High Museum of Art, Atlanta, Georgia, January 8– February 20, 1977; Museum of Fine Arts, Dallas, Texas, March 30,–May 15, 1977; The Brooklyn Museum, June 25–August 21, 1977; cat. 138.
Chicago Public Library Cultural Center, "Marion Perkins," February 19–April 1, 1979, no cat.
Museum of Contemporary Art, Chicago, Illinois, "Art in Chicago, 1945-1995," November 16, 1996–March 23, 1997, cat. 16.
Chicago, Spertus Museum, "A Force for Change: African American Art and the Julius Rosenwald Fund," 2 February-5 June 2009; traveled to Allentown Art Museum, September 13, 2009-January 10, 2010; Montclair Art Museum, February 6-July 25, 2010 (Chicago only).
Art Institute of Chicago, They Seek a City: Chicago and the Art of Migration, 1910-1950, March 3-June 3, 2013, cat. 93.
Daniel Schulman, “Marion Perkins: A Chicago Sculptor Rediscovered,” Art Institute of Chicago Museum Studies 24,2 (1999), pp. 220-243, figs. 1, 21.
Susan F. Rossen, “Introduction,” Art Institute of Chicago Museum Studies 24, 2 (1999), p. 141.
Judith A. Barter et al., "American Modernism at the Art Institute of Chicago, From World War I to 1955," (Art Institute of Chicago/Yale University Press, 2009), cat. 170.