Landscape at Cagnes

Modern Art

c. 1923

Chaim Soutine
French, born Minsk, Russia (present-day Belarus), 1893–1943

Status: Currently Off View
Department: Modern Art

Artist: Chaim Soutine
Title: Landscape at Cagnes
Place: Lithuania (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1918–1928
Medium: Oil on canvas
Inscriptions: Signed, l.l.: "Soutine"
Dimensions: 60.5 × 73 cm (23 13/16 × 28 3/4 in.)
Credit Line: Charles H. and Mary F. S. Worcester Collection
Reference Number: 1947.114
Copyright: © 2018 Artists Rights Society (ARS), New York / ADAGP, Paris

C. W. Kraushaar Art Galleries, Exhibition of Modern French Paintings, Water Colors, and Drawings, exh. cat. (New York: C. W. Kraushaar Art Galleries, 1928), n.p., cat. 21 (ill.), as Landscape, n.d.
C. W. Kraushaar Art Galleries, exh. cat. (New York: C. W. Kraushaar Art Galleries, 1932), n.p., cat. 7, as Landscape, n.d.
Maurice Sachs, “Soutine,” Creative Art 11, 4 (December 1932), p. 278 (ill.), as Landscape, n.d.
Arts Club of Chicago, Loan Exhibition of Modern Paintings and Drawings from Collections in Chicago, exh. cat. (Chicago: Arts Club of Chicago, 1938), n.p., cat. 139, as Landscape, n.d.
C. J. Bulliet, “Worcester’s Generosity,” Art Digest 21, 13 (1947), p. 14, as Landscape, n.d.
The Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago: The Art Institute of Chicago, 1961), p. 421, as Landscape at Cagnes, c. 1923.
A. James Speyer, “Twentieth-Century European Paintings and Sculpture,” Apollo 84, 55 (1966), p. 225.
A. James Speyer and Courtney Graham Donnell, Twentieth Century European Paintings (Chicago: University of Chicago Press, 1980), p. 70, no. 3G12, as Landscape at Cagnes, c. 1923.
Musée des Beaux-Arts de Chartes, Soutine, exh. cat. (Chartres, Frances: Musée des Beaux-Arts de Chartes, 1989), pp. 162–63, cat. 25 (ill.), as Paysage de Cagnes, 1923.
Maurice Tuchman, Esti Dunow, Klaus Perls, Chaim Soutine (1893–1943): Catalogue Raisonné Werkverzeichnis, vol. 1 (Cologne: Benedikt Taschen Verlag, 1993), p. 267 (ill.), no. 137, as Landscape at Cagnes, Paysage de Cagnes, Landschaft in Cagnes, c. 1924–1925.
Kenneth Wayne, Impressions of the Riviera: Monet, Renoir, Matisse and Their Contemporaries, exh. cat. (Portland, Maine: Portland Museum of Art, 1998), p. 79, cat. 66, as Landscape at Cagnes, c. 1923.

New York, C. W. Kraushaar Art Galleries, Exhibition of Modern French Paintings, Water Colors, and Drawings, October 1–18, 1928, cat. 21, as Landscape, n.d.
New York, C. W. Kraushaar Art Galleries, October 11–November 5, 1932, cat. 7, as Landscape, n.d.
Arts Club of Chicago, Loan Exhibition of Modern Paintings and Drawings from Collections in Chicago, November 4–25, 1938, cat. 139, as Landscape, n.d.
Chartres, France, Musée des Beaux-Arts de Chartes, Soutine, June 29–October 30, 1989, cat. 25, as Paysage de Cagnes, 1923.
Portland, Maine, Portland Museum of Art, Impressions of the Riviera: Monet, Renoir, Matisse and Their Contemporaries, June 25–October 18, 1998, cat. 66, as Landscape at Cagnes, c. 1923.

The artist; Hughes Simon, London [this and the following according to letter from John Kraushaar to Charles Worcester, July 26, 1938, in curatorial file]. Leicester Galleries, London. C. W. Kraushaar Galleries, New York, by 1928 [New York 1928]; sold to Charles H. Worcester (1864–1956), Chicago, Apr. 1938; given to the Art Institute of Chicago, 1947.

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