About This Artwork

Greek, minted in Ephesus, Asia Minor

Tetradrachm (Coin) Portraying Alexander the Great, 306/281 BC, issued by King Lysimachus of Thrace

Silver
Diam. 3.1 cm; 16.78 g
Reverse: ΒΑΣΙΛΕΩ[Σ] ΛΥΣΙΜΑΧΟΥ
"[minted by] King Lysimachus"

Gift of Martin A. Ryerson, 1922.4924

Following the premature death of Alexander the Great in 323 BC, his generals, friends, and heirs engaged in forty years of wars over his empire. Lysimachus (r. 323–281 BC), one of Alexander’s companions and bodyguards, used the king’s image on his own coins in order to cast himself in the role of successor and legitimize his claim to the kingdom of Thrace. Alexander, responsible for establishing the conventions of royal portraiture, is depicted in his preferred manner: youthful and clean-shaven, with long locks of hair rising above his forehead and eyes cast upward. Additionally, he is shown with horns curling around his ears. These “horns of Ammon” symbolize Alexander’s claim that he was the son of the Egyptian god Ammon—a claim reportedly confirmed by the oracle at the sanctuary of Zeus-Ammon at Siwa, Egypt. On the reverse of the coin, Lysimachus exerts his own royal autonomy by naming himself “king.” The goddesses Athena and Nike (Greek for “victory”) crown his name with laurels, which symbolized victory or honor. The lion on the shield at Athena’s side references Lysimachus’s famous exploit of killing a lion with his bare hands and reinforces his association with Alexander, who used the skin of the Nemean lion as a symbol of power and courage.

Exhibition, Publication and Ownership Histories

Exhibition History

The Art Institute of Chicago, Ancient Art Galleries, Gallery 155, April 20, 1994 - February 22, 2004 and May 16, 2004 - February 6, 2012.

"Power Struggles: Cleopatra's Relatives and Their Rivals," Gallery 155 (Coin Case), November 2001 - 2007.

Houston, TX, The Museum of Fine Arts Houston"The Centaur’s Smile: The Human Animal in Early Greek Art" 22 February – 16 May 2004.

The Art Institute of Chicago, When the Greeks Ruled: Egypt After Alexander the Great, October 31, 2013 - July 27, 2014; traveled to New York City, N.Y., the Institute for the Study of the Ancient World, October 8, 2014 - January 4, 2015.

Publication History

Roberta Casagrande-Kim, ed., When the Greeks Ruled Egypt: From Alexander the Great to Cleopatra, exh. cat. (Institute for the Study of the Ancient World at New York University/Princeton University Press, 2014), p. 24, fig. 1-8, p. 93 (cat. 37).

The Art Institute of Chicago, The Essential Guide (Art Institute of Chicago, 2013), p. 70.

Karen B. Alexander, "From Plaster to Stone: Ancient Art at the Art Institute of Chicago," in Recasting the Past: Collecting and Presenting Antiquities at the Art Institute of Chicago, by Karen Manchester (Art Institute of Chicago/Yale University Press, 2012), p. 29, fig. 13.

Karen Manchester, Recasting the Past: Collecting and Presenting Antiquities at the Art Institute of Chicago (Art Institute of Chicago/Yale University Press, 2012), p. 46.

CLEOPATRA; THE ANCIENT WORLD," Computer program, The Art Institute of Chicago.
Theresa Gross-Diaz in John Griffiths Pedley, Greek Art (Museum Studies: Ancient Art at The Art Institute of Chicago 20, no. 1, 1994), p. 50 (ill.), no. 33.




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