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About This Artwork
Aureus (Coin) Portraying Emperor Caracalla, AD 204 (January/April), issued by Septimius Severus
Diam. 2.1 cm; 7.23 g
Obverse: ANTON.P.AVG PON TR P VII
"Antoninus Pius Augustus, Pontif, holding Tribunican Power for Seventh Time"
Reverse: VICT PART.MAX
"Great Parthian Victory"
Gift of Martin A. Ryerson, 1922.4884
The purpose of the first portrait coins was to identify the ruler. The front side became a mirror of the sovereign’s self-image. The back was often used to communicate the ruler’s accomplishments or intentions.
The profile portrait was used because it suited the very shallow depth and limited surface of the coin. The tiny images were carved by engravers into bronze dies, one for the front and another for the back. Whereas modern coinage is cast by pouring molten metal into molds, these coins were struck, one by one. This coin portrays Caracalla (r. A.D. 211–217) as an innocent child who later killed his brother in order to rule alone.
—Permanent collection label
This work appears in the online catalogue Roman Art at the Art Institute of Chicago, featuring art historical essays and conservation reports on artworks from the ancient Roman world in the Art Institute’s collection. Entries include new high-resolution photography, stunning 360-degree views of the works, and in-depth technical imaging and analysis. The volume is free to the public.
The Art Institute of Chicago, Ancient Art Galleries, Gallery 156, April 20, 1994 - February 6, 2012.
Theresa Gross-Diaz, “Cat. 61 Aureus Portraying Caracalla: Curatorial Entry,” in Roman Art at the Art Institute of Chicago (Art Institute of Chicago, 2016).
Karen B. Alexander, "From Plaster to Stone: Ancient Art at the Art Institute of Chicago," in Recasting the Past: Collecting and Presenting Antiquities at the Art Institute of Chicago, by Karen Manchester (Art Institute of Chicago/Yale University Press, 2012), p. 29.
Theresa Gross-Diaz, Roman Art, Museum Studies: Ancient Art at the Art Institute of Chicago 20, no. 1 (1994), pp. 76-77 (ill.), no. 56.