About This Artwork

Roman, minted in Rome

Aureus (Coin) Portraying Emperor Marcus Aurelius, A.D. 153/54, issued by Antoninus Pius

Gold
Diam. 2 cm; 7.08 g
Obverse: AVRELIVS CAESAR AVG PII FIL
Reverse: TR POT VIII COS II

Gift of Martin A. Ryerson, 1922.4876

This work appears in the online catalogue Roman Art at the Art Institute of Chicago, featuring art historical essays and conservation reports on artworks from the ancient Roman world in the Art Institute’s collection. Many of the objects are published here for the first time. The entries include new high-resolution photography, stunning 360-degree views of the works, and in-depth technical imaging and analysis. The volume is free to the public. The project received generous funding from the Andrew W. Mellon Foundation. The catalogue was built using the OSCI Toolkit, an open-source digital authoring and publishing platform. Find the Art Institute's toolkit customizations and additions on github under the OSCI-Toolkit, OSCI-Toolkit-Frontend, and ChicagoCodeX repositories.


This work appears in the online catalogue Roman Art at the Art Institute of Chicago, featuring art historical essays and conservation reports on artworks from the ancient Roman world in the Art Institute’s collection. Many of the objects are published here for the first time. The entries include new high-resolution photography, stunning 360-degree views of the works, and in-depth technical imaging and analysis. The volume is free to the public. The project received generous funding from the Andrew W. Mellon Foundation. The catalogue was built using the OSCI Toolkit, an open-source digital authoring and publishing platform. Find the Art Institute's toolkit customizations and additions on github under the OSCI-Toolkit, OSCI-Toolkit-Frontend, and ChicagoCodeX repositories.


Exhibition, Publication and Ownership Histories

Publication History

Karen B. Alexander, "From Plaster to Stone: Ancient Art at the Art Institute of Chicago," in Recasting the Past: Collecting and Presenting Antiquities at The Art Institute of Chicago, 2012) by Karen Manchester, p. 29.




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