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About This Artwork
Aureus (Coin) Portraying Emperor Domitian, A.D. 90/91, issued by Domitian
Diam. 2 cm; 7.52 g
OB: DOMITIANVS AVGVSTVS
REV: GERMANICVS COS XV
Gift of Martin A. Ryerson, 1922.4869
Ancient and Byzantine Art
Not on Display
The purpose of the first portrait coins was to identify the ruler. The front side became a mirror of the sovereign’s self-image. The back was often used to communicate the ruler’s accomplishments or intentions.
The profile portrait was used because it suited the very shallow depth and limited surface of the coin. The tiny images were carved by engravers into bronze dies, one for the front and another for the back. Whereas modern coinage is cast by pouring molten metal into molds, these coins were struck, one by one.
PORTRAITS WITH ROYAL REGALIA
Since few citizens actually saw their sovereign, recognizable symbols such as crowns, robes, and regalia served to identify the ruler. The laurel wreath, long a symbol of victory in Greece, was adopted by the Romans as the sign of kingship as well as victory.
—Permanent collection label
This work appears in the online catalogue Roman Art at the Art Institute of Chicago, featuring art historical essays and conservation reports on artworks from the ancient Roman world in the Art Institute’s collection. Entries include new high-resolution photography, stunning 360-degree views of the works, and in-depth technical imaging and analysis. The volume is free to the public.
"Ruling Families : Imperial Dynasties of the Early Roman Empire 31 B.C.-A.D.235." Nov.
1997-Nov.2001, Gallery 155 (Coin Case)
Karen B. Alexander, "From Plaster to Stone: Ancient Art at the Art Institute of Chicago," in Recasting the Past: Collecting and Presenting Antiquities at the Art Institute of Chicago, by Karen Manchester, (Art Institute of Chicago/Yale University Press, 2012), p. 29.