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About This Artwork
Cotton, plain weaves; pieced; appliquéd; cotton, plain weaves, printed; quilted; glazed; inscriptions in ink; edged with woven tape
264.7 x 272.6 cm (104 1/8 x 107 3/8 in.)
Inscriptions (right to left; column 1, bottom to top): (1) Martha Haines / Rancocas / N. Jersey; (2) Sarah A. Warner / 1842; (3) Ann Whoades / 1842; (4) Charles Kemble / Philadelphia; (5) Martha H. Coles / 1841; (6) Lydia R. Kemble / 1841; (7) Sarah Elizabet Horner / 1842; (column 2, top to bottom): (8) Elizabeth B. Deacon / 1842; (9) Mary Anna Deacon; (10) Anne Marie Coles / Gloucester; (11) 4 Mo 14th 1842 / Albert[a?] Haines; (12) H Middleton / 1842; (13) Samuel Wells / Rancocas / New Jersey / 1842; (column 3, bottom to top): (14) John S. Horner, Jr. / Springfield / N Jersey; (15) Memorys Tribute / S.A.H. Deacon / 1842; (16) This little emblem of ____ / IÕll give my youthful friend to thee / And often in some lonely hour / Use them and think on me / Lydia Ann Horner; (17) Oft in tender recollection / Call to mind thine absent friend / Cherish for her that affection / Which I trust will never end / Martha Buzby / 8 Mo. 20th 1841; (18) Sarah Foster / Mount Holly; (19) William Deacon; (20) S. W. Coles; (column 4, top to bottom): (21) Ann Reeves; (22) Wm. C. Snyder / April / 1842; (23) William D. Horner; (24) Lydia R. Deacon; (25) Sarah Ann Kemble; (26) Ann R. Coles; (column 5, bottom to top): (27a) Sweet dream that winds through yonder glade, / Apt emblem of a virtuous maid -- / Silent, and chaste she steals along, / Far from the worlds busy throng; (27b) With gentle yet prevailing forces / Intent upon her [siestinad?] course / Graceful and useful all she does, / Blessing and blissful whereÕer she goes.; (27c) Pure bosomed as that watery glass / And Heaven reflected in her face; (27d) Mount Holly / 1842; (28) Va____ Reeves / Mount Holly / 1842; (29) Susan B. Haines / Rancocas; (30) Caroline _. Horner; (31) Letitia B. Hale; (32) Ruth Anna Buzby / Rancocas; (33) Jemima R. Bullock / Mount Holly / 1842; (column 6, top to bottom): (34) Permelia Deacon; (35) William D. Coles; (36) Aunt Ann Reeves / Mount Holly / 1842; (37) Ella Maria / Acquaint thyself with / God if thou wouldst know / his works / Elizabeth Horner; (38) Hope Lelley[?]; (39) William G. Deacon / 1842; (column 7, bottom to top): (40) Acrostic on Ella Maria Deacon / Ella, may this to friendship devoted, / Live in thy album quilt, thoÕ little noted; / Let its some corner have near its compeers, / And there with them rest, through the long lapse of years. / Methinks as[?] thy eye, oÕer thy quilt warns with pleasure / Amid these mementoes, thouÕll hold them a treasure. / Remembering the donors as time wings apace / In his rapid flight onward D his unerring race; / And may we dear friend, while to us it is given; / Depend not on earth, but on Father in Heaven; / Every proper enjoyment Ôtis His to bestow / And great is His goodness to mortals below, / Calling us kindly, that when time is over, / Our home, if but faithful shall be on that shore / Nigh Him, in His glory, in bliss evermore. / Susan B.[?] Haines / Rancocas; (41) John Deacon / Mount Holly / N J / 1842; (42) Deborah D Coles / 1842 / Medford; (43) Mount Holly / R.A.H. Woolston; (44) Ella Maria Deacon / 1842; (45) Charles Deacon / Evesham; (46) Sarapta[?] Wills / Mount Holly / 1842; (column 8, top to bottom): (47) Hannah Ann Reeves; (48) Martha Deacon; (49) B_______ Chapman / Mount Holly / May 27 / 1842; (50) M A Buzby / 1841; (51) Rebecca D. Deacon; (52) Amos Buzby, Jr. / Rancocas / N J; (column 9, bottom to top): (53) Charles Henry[?] Deacon / Evesham; (54) Elizabeth C. Reeves; (55) Mary ___. Deacon / 1841; (56) Sarah B. Deacon / New Jersey / 1842; (57) Drucilla C. Morris; (58) Eliza C. Rogers / Mount Holly / 1842; (59) Abigail Deacon; (column 10, top to bottom): (60) Rebecca Coles; (61) Mary S Haines; (62) Louisa W Horner / AD 1841; (63) M C Coles / Remember me / 1841; (64) Emily C Coles / 1841; (65) Elias Buzby / 1842; (column 11, bottom to top): (66) 4 Mo 14th 1842 / Richard Buzby; (67) Abigail S. Coles / N. Jersey; (68) Elizabeth H. Burr; (69) Charles D. Kemble / Jobstown / 1842; (70) Anna W Coles / Medford 1842; (71) Elizabeth H.[?] Coles; (72) Patience S Buzby; (column 12, top to bottom): (73) Don't pout when you / see this but put it / in a corner and oblige. / Margaret Bullock / Mount Holly; (74) Hannah S. Horner / Jobstown; (75) Samuel J. Deacon / 1842; (76) John Stockton Turner / New Jersey; (77) Anna Bullock; (78) Benson[?] Kemble / 1841; (column 13, bottom to top): (79) Elizabeth Buzby / 1841; (80) Samuel T. Coles; (81) Clayton Rogers / Mount Holly; (82) Sarah Kemble; (83) This block my friend I give to the in token / of my regard / It is a smalle affare, but it is / all I have to give, and hope the will accept it, / and when the looks upon it, remember / Rebecca of Philadelphia / March 4, 1842; (84) Mary Jane Buzby / 1841; (85) Samuel H___ Horner / 1841
Gift of Betsey Leeds Tait Puth, 1978.923
Not on Display
This superb friendship quilt was made for Ella Maria Deacon. Many of the individual squares carry names written in sepia ink as well as an acrostic in the center of the bottom portion of the bedcover. To quote one line: “Methinks as [?] thy eye, o'er thy quilt warms with pleasure / Amid these mementos, thou'll hold them a treasure.” The bedcover was constructed through piecing rather than appliquéing or needlework.
The Art Institute of Chicago, "Quilts from the Permanent Collection," August 19–November 5, 1978 and November 8, 1978–January 21, 1979
The Art Institute of Chicago, Elizabeth F. Cheney and Agnes Allerton Textile Galleries, "The American Bed and Its Coverings," November 21, 1990–March 31, 1991
The Art Institute of Chicago, Elizabeth F. Cheney and Agnes Allerton Textile Galleries, "Textile Masterpieces from the Art Institute of Chicago's Collection," February 17–May 2, 1993
The Art Institute of Chicago, Elizabeth F. Cheney and Agnes Allerton Textile Galleries, "America the Beautiful: Textiles from the Permanent Collection," March 6–July 21, 1996
Christa C. Mayer Thurman. "Textiles in The Art Institute of Chicago (Chicago: The Art Institute of Chicago, 1992), pp. 108-9 (Illus.), 148.
The Art Institute of Chicago: The Essential Guide (Chicago: The Art Institute of Chicago, 1993), p. 236 (Illus.).
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