Study of a Harlequin

• Lionello Venturi, Cézanne: Son Art—Son Oeuvre (Paris, 1936), p. 326, no. 1486 (ill.).
• Vogue CIII (May 1, 1944), p. 123 (ill.).
• Carl O. Schniewind, “Chicago reveals its master portfolio,” Art News (March, 1946), pp. 18-23 (ill).
• Hans Tietze, European Master Drawings in the United States (New York, 1947), pp. 300-301, no. 150 (ill.).
• Adrien Chappuis, Dessins de Cézanne (Lausanne, 1957), no. 16 (ill.), 941.
• Alfred Neumeyer, Cézanne Drawings (New York, 1958), p. 42, no. 23 (ill.).
• Kurt Seligmann, “A Letter,” The Art Institute of Chicago Quarterly, XLVI:3, p. 46 (ill.).
• Francois Mathey, Les Impressionnistes (Paris, 1959), p. 142 (ill.).
• François Mathey, The Impressionists (New York, 1961), pp. 138 (ill) and 280.
• Stephen Longstreet, The Drawings of Cézanne (Los Angeles, 1964) (ill.).
• Adrien Chappuis, Drawings of Cézanne (Greenwich, N.Y., 1973), p. 221, no. 941 (ill.).
• Herold Joachim, “Trois siècles de portraits dessinés à l’Art Institute de Chicago,” L’Oeil, 255 (October 1976), p. 8, no. 2 (ill.).
• Yvon Taillandier, P. Cezanne, trans. by Graham Snell (New York, 1977), p. 65 (ill.)
• Harold Joachim and Sandra Haller Olsen, French Drawings and Sketchbooks of the 19th Century II (Chicago, 1979), pp. 13-14, no. 1C6.
• Nina Kallmyer, Cézanne and Provence (Chicago, 2002).
• Walter Feilchenfeldt, Jayne Warman, and David Nash “Arlequin, c.1888 (FWN 1750),” The Paintings, Watercolors and Drawings of Paul Cezanne: An Online Catalogue Raisonné. http://www.cezannecatalogue.com/catalogue/entry.php?id=2626 (accessed on February 1, 2019).

• Berlin, Thannhauser Galleries, “Exhibition of French Masters,” 1927, cat. 36.
• Basel, Switzerland, Kunsthalle Basel, “Meisterzeichnungen freanzösischer Künstler von Ingres bis Cézanne,” June 29–August 18, 1935, cat. 109.
• Basel, Switzerland, Kunsthalle Basel, “Paul Cézanne,” 1936, cat. 137.
• Paris, Grand Palais, “Centennaire de Paul Cézanne,” March-April 1939, p. 11, cat. 45.
• Lyon, France, Musée de Lyon, “Centennaire de Paul Cézanne,” May 1939, n.p., cat. 70.
• New York, The Museum of Modern Art, “Modern Drawings,” 1944, pp. 26 and 89, cat. by Monroe Wheeler.
• The Art Institute of Chicago, “Drawings Old and New,” 1946, pp. 10-11, cat. 8, pl. XXII, cat. by Carl Schniewind.
• Philadelphia Museum of Art, “Masterpieces of Drawings,” November 4, 1950-February 11, 1951, n.p., cat. 102 (ill.).
• The Art Institute of Chicago, “Cézanne: Paintings, Watercolors & Drawings,” 1952, p. 65, cat. 72 (ill.); traveled to New York, The Metropolitan Museum of Art.
• Paris, Musée de l’Orangerie, “De David à Toulouse-Lautrec,” 1955, cat. 56, pl. 64.
• New York, Wildenstein and Company, “Master Drawings from The Art Institute of Chicago,” October 17-November 30, 1963, cat. 108.
• The Art Institute of Chicago, “A Quarter Century of Collecting: Drawings Given to The Art Institute of Chicago, 1944-1970 by Margaret Day Blake,” April 28-June 7, 1970, n.p., cat. 34 (ill.).
• Washington D.C., The Phillips Collection, “Cézanne: An Exhibition in Honor of the Fiftieth Anniversary of the Phillips Collection,” 1971, p. 108, cat. 80 (ill.); also traveled to The Art Institute of Chicago, and the Museum of Fine Arts, Boston.
• Urbana-Champaign, Ill., Krannert Art Museum, University of Illinois at Urbana-Champaign, Drawings from the Collections of The Art Institute of Chicago, April 23–May 14, 1972.
• Paris, Musée du Louvre, “Dessins français de l’Art Institute de Chicago de Watteau à Picasso,” October 15, 1976-January 17, 1977, n.p., cat. 61 (ill.).
• Frankfurt am Main, Germany, Städtische Galerie im Städelschen Kunstinstitut, “Französische Zeichnungen aus dem Art Institute of Chicago,” February 10-April 10, 1977, pp. 144-145, cat. 69 (ill.).
• Philadelphia Museum of Art, “Cezanne,” May 26-August 18, 1996, pp. 312-315, cat. 123 (ill.).
• Budapest Museum of Fine Arts, “Cezanne and the Past: Tradition and Creativity”, October 25, 2012 - February 17, 2013, pp. 327, 329, cat 67 (ill.), cat. by Judith Gesko, et. al.
• New York, The Museum of Modern Art, “Cezanne: The Drawings”, June 6 - September 26, 2021, p. 105, pl. 121, cat. by Jodi Hauptman, et. al.
• The Art Institute of Chicago, “Cezanne”, May 11 - September 5, 2022, p. 119, cat. 46 (ill.), cat. by Achim Borchardt-Hume, Gloria Groom, et. al.

The artist’s son, Paul Cézanne, Paris [Venturi 1936]. Walther Halvorsen, Oslo and Paris [a letter from Justin Thannhauser to Carl Schniewind, September 21, 1945 in curatorial file]. Justin K. Thannhauser Galerie, Lucerne and New York, by 1936-at least 1939 [Philadelphia 1996; Paris 1939]; his cousin, Siegfried Rosengart (died 1985), Lucerne [Paris 1977]; sold by Justin K. Thannhauser to the Art Institute, 1944.