About This Artwork

Charles Sheeler
American, 1883–1965

Industry, 1932

Gelatin silver collage (triptych)
20.0 x 7.0 cm (7-7/8 x 2-3/4 in., a); 20.1 x 16.2 cm (7-7/8 x 6-3/8 in., b); 20.0 x 7.0 cm (7-7/8 x 2-3/4 in., c); 19.9 x 38.1 cm (overall); 14 x 18-1/8 in. (mount)
Printed from negatives of the Ford River Rouge factory taken in 1927, commissioned for the exhibition "Murals by American Painters and Photographers," Museum of Modern Art, New York, 1932
Julien Levy Collection, Gift of Jean and Julien Levy, 1975.1146a-c

This maquette is the only surviving version of a seven-by-twelve foot photographic mural created by Charles Sheeler for an exhibition on mural art at New York’s Museum of Modern Art. Murals, promoted in the Americas and Europe in the 1930s, created a vast new space of display for painters and photographers, who, like Sheeler, freely crossed media boundaries to make the giant compositions. The multiple source photographs in this maquette, all taken by Sheeler, depict the Ford Motor Company’s plant in River Rouge, near Detroit, where the artist traveled in 1927 as part of a commission to make publicity pictures for the company. The left and right sections of the triptych are halves of a single photograph, while the central portion represents a montage of three other pictures taken at the plant. The bold leaps in scale and subject are what made murals of the 1930s—both painted and photographic—impressive in their dynamism.

Exhibition, Publication and Ownership Histories

Exhibition History

AIC, "Photography Rediscovered: American Photographs from 1900-1930," December 22, 1979-February 4, 1980. (David Travis)

AIC, "Industrial Effects: Twentieth Century Photographs from the Permanent Collection," July 24-October 17, 1993.

Washington, D.C., National Gallery of Art, "Charles Sheeler: Across Media," May 7 - September 4, 2006; traveled to The Art Institute of Chicago, October 15, 2006 - January 7, 2007, and The Fine Arts Museum of San Francisco, February 10 - May 6, 2007.

AIC, "Photography on Display: Modern Treasures," May 9–September 13, 2009.

Publication History

Travis, David. 1976. "Photographs from the Julien Levy Collection, Starting with Atget." Exh. cat. Art Institute of Chicago. pp. 66-67. pl. 122.

Stebbins, Theodore E. Jr., and Norman Keyes, Jr. 1987. “Charles Sheeler: The Photographs.” Museum of Fine Arts, Boston/Little, Brown. p. 32. fig. 54

Wollen, Peter, and Joe Kerr ed. 2003. "Autopia: Cars and Culture." Reaktion Books. p.129.

Marien, Mary Warner. 2006. "Photography: A Cultural History." 2nd ed. Laurence King Publishing. p.253.

Brock, Charles. 2006. "Charles Sheeler: Across Media." Exh. cat. National Gallery of Art, Washington/ University of California Press, pp. 96-97. fig. 23.