Model for a Statue of Louis XV

1746/48

Jean-Baptiste Lemoyne
French, 1704—1778

Status: On View, Gallery 216
Department: Painting and Sculpture of Europe

Artist: Jean-Baptiste Lemoyne, II
Title: Model for a Statue of Louis XV
Place: France (Object made in)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1746–1748
Medium: Terracotta
Dimensions: 72 × 41.7 × 40.6 cm (28 1/4 × 16 3/8 × 16 in.)
Credit Line: Kate S. Buckingham Endowment
Reference Number: 1974.15
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/46388/manifest.json

Charles Maumené and Louis d’Harcourt, “Icongraphie des Rois de France,” Archives de l’Art Francais 16 (Paris, 1932), p. 442, no. 423.
Rennes, Musée des Beaux-Arts, L’ouvre du mois. Lemoyne: Louis XV, project de statue pour l’Hôtel de Ville de Rennes (Rennes, 1981), p. 4, fig. 3.
Ian Wardropper, “Adam to Clodion: Four French Terracotta Sculptures,” Art Institute of Chicago Museum Studies 11, 1 (1984), pp. 29-33, 36-37, figs. 10, 11.
Paris, Musée du Louvre, Nouvelles acquisitions du départment des Sculptures, 1988-1991 (Paris, 1992), under no. 22, pp. 76-78,, fig. 22c.

Chicago, Art Institute of Chicago, “Selected Works of 18th Century Art,” 24 January - 28 March ,1976, cat. 131.
Chicago, Art Institute of Chicago, “European Portraits, 1600-1900,” 8 July - 11 September, 1978, cat. 39.

Created as one of four modellos for a planned monument of Louis XV at the Hôtel de Ville, Rennes, 1746/48; estate of the artist [according to letter from Heim Gallery in curatorial file]. Collection of Jules Strauss, Paris, by 1932 [see Maumené and d’Harcourt 1932]; sold, his estate sale, Galerie Charpentier, Paris, May 27, 1949, lot 86. Comtesse de Rochefort, Paris [according to letter from A.S. Ciechanowiecki to John Keefe, October 10, 1975, in curatorial file]. Private Collection, London [according to sources cited above]. Etablissement Rustique, Vaduz, Liechtenstein [according to Stock Book, 1970-85, Heim Gallery Records, Getty Research Institute, Los Angeles, copy in curatorial file]; Heim Gallery, London, by 1974; sold to the Art Institute, 1974.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

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