Olivia Simes Morris

1814

James Peale (American, 1749–1831)

James Peale was a member of a prominent Philadelphia family of artists, brother of Charles Willson Peale and father of several accomplished female painters. Olivia Simes Morris was also a member of the city’s cultural elite, her husband having been a cofounder of the Columbianum, a short-lived artists’ association that Charles Willson Peale organized. Olivia Simes Morris is a sensitive portrayal of the sitter. Embellishments of lace and a richly colored embroidered shawl add notes of refinement to an otherwise restrained composition. James Peale practiced portraiture throughout his long career. In addition to oil portraits, he excelled at miniatures, delicate likenesses of watercolor on ivory.

Status: On View, Gallery 169
Department: Arts of the Americas

Artist: James Peale
Title: Olivia Simes Morris
Place: United States (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1814
Medium: Oil on canvas
Dimensions: 71.8 × 61 cm (28 3/4 × 24 in.)
Credit Line: Bequest of Mary Morley Sellers
Reference Number: 1940.1324
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/40388/manifest.json

David A. Hanks and Charles E. Buckley, American Art of the Colonies and Early Republic: Furniture, Paintings and Silver from Private Collections in the Chicago Area, exh. cat. (Chicago: Art Institute of Chicago, 1971), 69, cat. 88 (ill.).

Carson Pirie Scott & Co.: window display, Apr. 14–30, 1952.
Springfield, Illinois State Museum, Nineteenth–Century American Paintings: a Collection of the Art Institute of Chicago, Mar. 5–Apr. 24, 1966; Iowa, Davenport Municipal Art Gallery, May 19–June 5, 1966; Muscatine, Iowa, Laura Musser Art Gallery and Museum, July 24–Oct. 2, 1966; Peoria, Illinois, Lakeview Center for the Arts and Sciences, Nov. 30, 1966–Jan. 8, 1967.
Art Institute of Chicago, American Art of the Colonies and Early Republic: Furniture, Paintings and Silver from the Private Collections in the Chicago Area , July 17–Sept. 13, 1971, cat. 88.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.