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About This Artwork
The Bedroom, 1889
Oil on canvas
73.6 x 92.3 cm (29 x 36 5/8 in.)
Helen Birch Bartlett Memorial Collection, 1926.417
Vincent van Gogh's three versions of this composition are the only record he made of the interior of the Yellow House, where he lived while he was in Arles in the south of France. The house embodied the artist's dream of a "Studio of the South," a community of like-minded artists working in harmony to create art for the future. The first version of The Bedroom (Van Gogh Museum, Amsterdam) was one of the paintings Van Gogh made to decorate the house in anticipation of the arrival of his first guest, Paul Gauguin. "It's just simply my bedroom," he wrote, "only here color is to do everything ... to be suggestive here of rest or of sleep in general. In a word, looking at the picture ought to rest the brain, or rather the imagination." Gauguin's stay at the Yellow House would be fraught with tension: after two months, Van Gogh's self-mutilation and Gauguin's flight back to Paris ended the Studio of the South. Van Gogh made this second version of The Bedroom about a year after the first, while he was living at an asylum in Saint-Rémy.
— Permanent collection label
Paris, Galerie Vollard, 1895, no cat.
Paris, Galerie Bernheim-Jeune, Vincent van Gogh, March 15–31, 1901, cat. 19, as La Chambre de Vincent à Arles.
Vienna Secession, Internationalen Kunstschau, May–October 1909, room 14, cat. 1, as Das Schlafzimmer.
Berlin, Paul Cassirer, Zehnte Ausstellung: Vincent van Gogh: 30 März 1853–29 Juli 1890, May–June 1914, cat. 53, as Das Schlafzimmer.
New York, Museum of Modern Art, First Loan Exhibition: Cézanne, Gauguin, Seurat, Van Gogh, November 8–December 7, 1929, cat. 79, as Van Gogh's Room at Arles (La Chambre à Arles).
Art Institute of Chicago, A Century of Progress, June 1–November 1, 1933, cat. 376, p. 54.
Art Institute of Chicago, A Century of Progress, June 1–November 1, 1934, cat. 310, p. 47.
Toledo Museum of Art, French Impressionists and Post Impressionists, November 1934, cat. 24.
Art Institute of Chicago, Paintings and Drawings by Vincent van Gogh, lent through the Museum of Modern Art, N.Y., August 26–September 23, 1936, not in cat.
Amsterdam, Van Gogh Museum, Vincent van Gogh Paintings, March 30–July 29, 1990, cat. 7.
Essen, Museum Folkwang, Vincent van Gogh und die Moderne 1890–1914, August 11–November 4, 1990, cat. 40, as Das Schlafzimmer; traveled to Amsterdam, Van Gogh Museum, November 16, 1990–February 18, 1991.
Art Institute of Chicago, Van Gogh and Gauguin: The Studio of the South, September 22, 2001–January 13, 2002, cat. 120.
Fort Worth, Texas, Kimbell Museum of Art, The Impressionists: Master Paintings from the Art Institute of Chicago, June 29–November 2, 2008, cat. 58.
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Art Institute of Chicago, Annual Report (Art Institute of Chicago, 1926), p. 54 (ill.).
Jacob Baart de la Faille, L'Oeuvre de Vincent van Gogh: catalogue raisonné (G. van Ouest, 1928), vol. 1, p. 138, n. 484; vol. 2, pl. 134.
Art Institute of Chicago, Modern Paintings in the Helen Birch Bartlett Memorial from the Birch-Bartlett Collection (Art Institute of Chicago, 1929), pp. 22–23.
Vincent van Gogh, Further Letters to His Brother, 1886–1889 (Constable and Co., 1929), pp. 234–35, 280, 371–72.
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Theo van Gogh (1857–1891), Paris, December 18, 1889; by descent to Johanna van Gogh-Bonger, the Netherlands, 1891; sold to Jos Hessel, Paris, by 1901. Carl Reininghaus, Vienna, by 1909 to at least 1914. Paul Rosenberg, Paris and New York, by 1926; sold to Frederic Clay Bartlett, Chicago, December 1926; given to the Art Institute of Chicago, 1926.