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Nonny Gardner Album

A work made of album of gelatin silver prints (327).

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  • A work made of album of gelatin silver prints (327).

Date:

1937/42

Artist:

Irving Penn
American, 1917–2009

About this artwork

SERIES IX: PERSONAL AND MISCELLANEOUS
In a career that lasted nearly seven decades, Irving Penn emerged as one of the most important fashion and portrait photographers of the 20th century, yet surprisingly little is known about his early years. This album from about 1937–42 documents the formative period immediately following his studies with magazine art director Alexey Brodovitch at the Philadelphia Museum School of Industrial Art to his hiring by Alexander Liberman at Vogue in New York. It includes artistic experiments and scenes from Penn’s travels through the American South and Mexico with his first wife, Nonny Gardner, alongside snapshots of friends and family. Penn’s use of neutral backgrounds, his inclusion of detritus in still lifes, and his precision in layout all presage what would become hallmarks in a long, distinguished career.

Status

Currently Off View

Department

Photography and Media

Artist

Irving Penn

Title

Nonny Gardner Album

Place

United States (Artist's nationality:)

Date  Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

Made 1934–1944

Medium

Album of gelatin silver prints (327)

Dimensions

Overall: 30.6 × 26 × 4.6 cm (12 1/16 × 10 1/4 × 1 13/16 in.)

Credit Line

Partial gift from the family of Nonny Gardner Cangelosi; through prior gifts of Mr. Noah Goldowsky and Louise Lutz

Reference Number

2014.1088

Extended information about this artwork

Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.

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