About this artwork
For many of his earliest etchings Roussel used small copper plates and focused on Chelsea scenes, conveying a clear sense of place while often presenting affectionate portraits of the neighborhood’s youngest residents. In this example, a nursemaid with her charge stands in front of Chelsea Embankment’s characteristic railings, with Battersea factories across the Thames River. Roussel employed a shorthand drawing style, almost caricature, to portray his figures.
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Status
- Currently Off View
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Department
- Prints and Drawings
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Artist
- Theodore Roussel
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Title
- Emma and Her Baby, Chelsea Embankment
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Place
- England (Artist's nationality:)
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Date
- 1888–1889
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Medium
- Etching in black on cream laid paper
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Dimensions
- Image: 10.4 × 9.3 cm (4 1/8 × 3 11/16 in.); Plate: 11.8 × 9.5 cm (4 11/16 × 3 3/4 in.); Sheet, with signature tab: 12.4 × 9.5 cm (4 15/16 × 3 3/4 in.)
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Credit Line
- Gift of Meg and Mark Hausberg
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Reference Number
- 2011.445
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IIIF Manifest
- https://api.artic.edu/api/v1/artworks/210915/manifest.json