Anklets

Arts of Africa

Early 20th century

Tekna
Guelmim, Morocco
Northern Africa and the Sahel

The Hassaniya (also called Moors or Arabs) are descendants of 16th-century Arab immigrants who intermarried with the indigenous Imazighen (Berbers). Hassaniya jewelry makes a dramatic visual statement that stands in stark contrast to the region’s arid environment. Bracelets and anklets are cast in bold forms. Those from Guelmim, Morocco, have deeply etched geometric patterns and are adorned with raised beads or projecting studs.

Status: Currently Off View
Department: Arts of Africa

Culture: Tekna
Title: Anklets
Place: Morocco (Object made in)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1900–1940
Medium: Silver and copper alloy
Dimensions: 5.5 × 6 × 3 cm (2 1/8 × 2 3/8 × 1 3/16 in.)
Credit Line: Alsdorf Foundation - James and Marilynn Alsdorf Acquisition Fund
Reference Number: 2009.577.1-2

Kathleen Bickford Berzock, editor. 2019. Caravans of Gold: Fragments in Time: Art, Culture, and Exchange Across Medieval Saharan Africa. Exh. cat. Block Museum of Art, Northwestern University with Princeton University Press, pg. 99 (ill).

Evanston, Ill., Block Museum of Art, Northwestern University, Caravans of Gold, Fragments in Time: Art, Culture, and Exchange Across Medieval Saharan Africa, Jan. 26–July 21, 2019, cat. pg. 35, fig. 1.14; traveled to Toronto, the Aga Khan Museum, Sept. 21, 2019–Feb. 23, 2020; and Washington, D.C., National Museum of African Art, Smithsonian Institution, July 16, 2021-Feb. 27, 2022 (previously Apr. 8–Nov. 29, 2020 but postponed by pandemic).

Unnamed owner; sold to unnamed dealer, Tiznit, Morocco, before 2009; sold to Ivo Grammet, Essaouira, Morocco, before 2009; sold to the Art Institute, 2009.

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