About This Artwork

During the early 1980s, Sherrie Levine gained recognition for her re-creations of famous works of art, typically by men, through which she questions the ideals of high modernism and confronts issues of authorship, repetition, and authenticity. Rephotographing 18 self-portraits by Egon Schiele from bookplates, Levine altered the original images, interrupting the viewing experience with a series of implied contradictions. The finished piece is simultaneously Levine’s self-portrait and Schiele’s; it is the work of a woman and a man, a reproduction and an original. Commenting on why she chose to manipulate these works by Schiele, Levine explained, “There is something in his eroticism that strikes a chord. Partly it’s the self-conscious representation of his own narcissism.”