The Golden Age

CC0 Public Domain Designation

Painting and Sculpture of Europe

1875

Sir Edward John Poynter
British, 1836-1919

Status: Currently Off View
Department: Painting and Sculpture of Europe

Artist: Sir John Edward Poynter
Title: The Golden Age
Place: England (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1875
Medium: Oil on canvas
Dimensions: 137.2 × 53.4 cm (54 × 21 in.)
Credit Line: Bequest of Suzette Morton Davidson
Reference Number: 2002.379
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/160031/manifest.json

Henry Blackburn, Academy Notes: 1875 (London: Chatto and Windus, 1875), pp. 22–23, no. 236.
James Dafforne, “The Works of Edward J. Poynter, R. A.,” Art Journal 3 (1877), p. 51.
William Cosmo Monkhouse, Sir Edward John Poynter, President of the Royal Academy (London: Virtue & Co., 1897), n. p.
E. T. Cook and Alexander Wedderburn, The Works of John Ruskin, vol. 14 (London: George Allen, 1904), p. 273 under no. 233.
Algernon Graves, The Royal Academy of Arts: A Complete Dictionary of Contributors and their Work from its Foundation in 1769 to 1904, vol. 6 (London: H. Graves and Co., Ltd., 1906), p. 197, no. 236.
Burlington Magazine 114 (December 1972), p. lxiv (ill.).
Fine Art Society, Paintings, Water-Colours, and Drawings from the Handley-Read Collection, exh. cat. (London: Fine Arts Society, 1974), under no. 63.

London, Royal Academy, Summer Exhibition, 1875, cat. 233.

Collection of the artist, 1875 [lent to London 1875, along with The Festival, 2002.380]. Possibly B. Thomas [according to Fine Arts Society 1974]. P. & D. Colnaghi & Co. Ltd., London, by 1972, with The Festival [see Burlington Magazine 1972]; sold to Suzette Morton Davidson (née Zurcher) (died 1996), Santa Barbara and Chicago, 1973 with The Festival [according to bill of sale, dated January 31, 1973, copy in curatorial file]; bequeathed to the Art Institute with her husband Eugene Davidson (died 2002) having life interest, 2002.

Object information is a work in progress and may be updated as new research findings emerge. To help improve this record, please email . Information about image downloads and licensing is available here.

Currently Off View

Status

Department

Artist

Title

Place

Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

Medium

Dimensions

Credit Line

Reference Number

IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.

Explore Further

Suggested Terms

See all hours

Currently Off View

Date:

Artist:

About this artwork

Status

Department

Artist

Title

Place

Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

Medium

Dimensions

Credit Line

Reference Number

IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.

Extended information about this artwork

Publication History

Exhibition History

Provenance

Share

Explore Further

Sign up for our enewsletter to receive updates.

Gallery actions

Image actions

Share

IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

Learn more.