Bacchus Feeding a Panther

1792

John Deare
English, 1759–1798

Status: On View, Gallery 219
Department: Painting and Sculpture of Europe

Artist: John Deare
Title: Bacchus Feeding a Panther
Place: England (Object made in)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1792
Medium: Marble
Inscriptions: Signed and dated: I. DEARE FACIEBAT ROMAE 1792
Dimensions: 33.3 × 52.7 × 14 cm (13 1/2 × 20 3/4 × 5 1/2 in.)
Credit Line: Michael A. Bradshaw and Kenneth S. Harris Endowment
Reference Number: 2001.48
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/157162/manifest.json

Mr. Richardson, A Catalogue of Framed and Glazed Prints and Drawings from the Herculaneum of the Late Edward Poore, Esq., Deceased… (19-20 April 1805), no. 76.
Wilfred Whitten, ed., Nollekens and his Times (London, 1920), p. 252.
William T. Whitley, Artists and their Friends in England, 1700-1799 (London, 1928), p. 86.
John Ingamells, A Dictionary of British and Irish Travellers in Italy, 1701-1800 (New Haven: Yale University Press, 1997), p. 288.
Sotheby’s, European Works of Art (23 September 1998), no. 155 (withdrawn).
Peggy Fogelman, Peter Fusco, and Simon Stock, “John Deare (1759–1798): A British Neoclassical Sculptor in Rome,” Sculpture Journal 4 (2000), pp. 98–99, 115, no. 23, figs. 26, 27.
Ian Wardropper, “Collecting European Sculpture at the Art Institute of Chicago,” Apollo 154, 475 (September 2001), pp. 8–9, no. 11, fig. 10.

Art Institute of Chicago, A Case for Wine, July11—September 20, 2009, no cat.
Art Institute of Chicago, Shockingly Mad: Henry Fuseli and the Art of Drawing, November 18-April 1, 2017.

Commissioned by Edward Poore, England, 1792, and completed in 1794 [according to Whitten 1920 and Fogelman, et al 2000]; sold, Edward Poore estate sale, Mr. Richardson’s, London, 20 April 1805, lot 76, to a private collector. Sold, Sotheby Parke-Bernet, New York, 29 November 1975, lot 133, to Shepherd Gallery, New York; sold to Luke Burnap, New York, 8 July 1976 [according to notes from telephone conversation with Robert Kashey of Shepherd Gallery, 3 March 2003, in curatorial file]; sold to a private collector through Shepherd Gallery, New York, 1982 [according to source cited above]; bought in, Sotheby’s, New York, 23 September 1998, lot 155; sold, Sotheby’s, New York, 22 May 2001, lot 69, to the Art Institute, 2001.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

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