About This Artwork

Roman, minted in Rome

Aureus (Coin) Portraying Emperor Nero, December A.D. 57/December A.D. 58, issued by Nero (emperor)

Gold
Diam. 1.9 cm; 7.70 g
Obverse: NERO.CAESAR.AVG.IMP.
Reverse: EX.SC (within wreath); PONTIF.MAX.TR.P.[IIII] P.P.

Gift of Martin A. Ryerson, 1922.4862

This work appears in the online catalogue Roman Art at the Art Institute of Chicago, featuring art historical essays and conservation reports on artworks from the ancient Roman world in the Art Institute’s collection. Many of the objects are published here for the first time. The entries include new high-resolution photography, stunning 360-degree views of the works, and in-depth technical imaging and analysis. The volume is free to the public. The project received generous funding from the Andrew W. Mellon Foundation. The catalogue was built using the OSCI Toolkit, an open-source digital authoring and publishing platform. Find the Art Institute's toolkit customizations and additions on github under the OSCI-Toolkit, OSCI-Toolkit-Frontend, and ChicagoCodeX repositories.


This work appears in the online catalogue Roman Art at the Art Institute of Chicago, featuring art historical essays and conservation reports on artworks from the ancient Roman world in the Art Institute’s collection. Many of the objects are published here for the first time. The entries include new high-resolution photography, stunning 360-degree views of the works, and in-depth technical imaging and analysis. The volume is free to the public. The project received generous funding from the Andrew W. Mellon Foundation. The catalogue was built using the OSCI Toolkit, an open-source digital authoring and publishing platform. Find the Art Institute's toolkit customizations and additions on github under the OSCI-Toolkit, OSCI-Toolkit-Frontend, and ChicagoCodeX repositories.


The purpose of the first portrait coins was to identify the ruler. The front side became a mirror of the sovereign’s self-image. The back was often used to communicate the ruler’s accomplishments or intentions.M/p>

The profile portrait was used because it suited the very shallow depth and limited surface of the coin. The tiny images were carved by engravers into bronze dies, one for the front and another for the back. Whereas modern coinage is cast by pouring molten metal into molds, these coins were struck, one by one.

—Permanent collection label

Exhibition, Publication and Ownership Histories

Exhibition History

"Ruling Families" 1997 -2001

Publication History

Bulletin of the Art Institute of Chicago. vol. 72, no. 5, September-October, (1978), p.2.

Karen B. Alexander, "From Plaster to Stone: Ancient Art at the Art Institute of Chicago," in Recasting the Past: Collecting and Presenting Antiquities at the Art Institute of Chicago, by Karen Manchester, (Art Institute of Chicago/Yale University Press, 2012), p. 29.




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