A Farmer Feeding his Pony in Geneva (recto); Seated Friar (verso)
Place
England (Artist's nationality:)
Date
Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.
Pen and brown ink and watercolor with graphite (recto) and graphite (verso) on tan wove paper, edge-mounted to cream wove paper
Dimensions
16.7 × 25.1 cm (6 5/8 × 9 15/16 in.)
Credit Line
Suzanne Searle Dixon Endowment
Reference Number
1998.74
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Verso: Campbell Lennie, “Landseer, The Victorian Paragon,” London, 1976, pp. 107-114
Verso: Joseph Rishel and Robin Hamlyn, “Sir Edwin Landseer,” London 1981
Recto: London, Agnew’s, “English Watercolours, Drawings and Small Oil Paintings,” February 25-March 20, 1998, n.p., cat. 69 (ill.).
Recto: The Art Institute of Chicago, “Building a Collection: New Acquisitions and Promised Gifts of British Art,” May 1–August 1, 2004, checklist 16.
Sold by Agnew’s, London, to the Art Institute, 1998.
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