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About This Artwork
The Glass of Beer, 1914
Oil, pasted papers, charcoal, pencil and ink on canvas
21 1/4 x 28 1/2 in. (54 x 72.4 cm)
Bequest of Florene May Schoenborn, 1997.544
Modern and Contemporary Art
Not on Display
London, The London Gallery, The Cubist Spirit in Its Time, March 18–May 3, 1947, p. 27, cat. 35.
New York, Museum of Modern Art, Juan Gris, 1958, p. 41 (ill.); traveled to the Minneapolis Institute of Art, San Francisco Museum of Art, and the Los Angeles County Museum.
New York, Museum of Modern Art, The School of Paris: Paintings from the Florence May Schoenborn and Samuel A. Marx Collection, November 1, 1965–January 2, 1966, p. 38 (ill.); traveled to The Art Institute of Chicago, February 11–March 27, 1966, the City Art Museum of St. Louis, April 27–June 13, 1966, Mexico City, Museo de Arte Moderno, July 2–August 7, 1966, and San Francisco, Museum of Art, September 2–October 2, 1966.
Daniel-Henry Kahnweiler, Juan Gris: Sa vie, son oeuvre, ses écrits (Paris: Gallimard, 1946), pl. XII.
G. S. Whittet, “Rold, Browse & Delbanco,” The Studio 145:718 (January 1953), p. 22 (ill.).
James Thrall Soby, Juan Gris, exh. cat. (New York: Museum of Modern Art, 1958), p. 41 (ill.).
Museum of Modern Art, The School of Paris: Paintings from the Florence May Schoenborn and Samuel A. Marx Collection, exh. cat. (New York: Museum of Modern Art, 1965), p. 38 (ill.)
Juan Antonio Gaya-Nuño, Juan Gris (Barcelona: Ediciones Polígrafa, 1974), pp. 47, 104 and 240, no. 69 (ill.).
Douglas Cooper, Juan Gris (Paris: Berggruen, 1977), pp. 132–133, no. 80 (ill.).
Gary Tinterow, Juan Gris, exh. cat. (Madrid: Ministerios de Cultura, 1985), p. 29, fig. 7.
Galerie Kahnweiler, Paris. Galerie Simon, Paris. Pierre Faure, Paris. Galerie Simon, Paris. Sir Kenneth Clark (1903–1983), London. Roland, Browse & Delbanco, London. Perls Galleries, New York. Florence Schoenborn (1903–1995) and Samuel A. Marx (1885–1964), Chicago and New York, from 1944 [New York 1966]; bequeathed to the Art Institute, 1997