About This Artwork

Piet Mondrian
Dutch, 1872–1944

Farm near Duivendrecht, c. 1916

Oil on canvas
34 x 42 1/2 in. (86.3 x 107.9 cm)
Signed, l.r.: "Piet Mondriaan"
Gift of Dolly J. van der Hoop Schoenberg, 2001.479

© Mondrian/Holtzman Trust c/o HCR International, Warrenton VA

Piet Mondrian was a pioneer in the development of abstraction, drawing early inspiration from, among other sources, the Cubist paintings of Georges Braque and Pablo Picasso. Mondrian based his unique geometric style, which he termed “Neo-plasticism” on the utopian belief in the absolute harmony of straight lines and pure colors derived from the natural world. His basic vision was rooted in landscapes, and in particular, the flat topography of his native Holland.

At the outbreak of World War I, Mondrian was in Holland, where he found himself, in effect, trapped for the next four years. During that time, he returned to the subjects and themes of his early career, describing them in simple horizontal and vertical lines and colors. Although he continued to develop the abstract style he had begun in the years before the war, he also worked in a more representational style, which some of his patrons preferred. Farm at Duivendrecht (c. 1916) balances both of these approaches, merging naturalistic description with simplified forms and a reduced palette of pale lavender, orange, pink, and brown.

Exhibition, Publication and Ownership Histories

Exhibition History

Amsterdam, Mondrian, 1946.

Pasadena, Art Museum, Serial Imagery, September 17–October 27, 1968, p. 39.

Toronto, Art Gallery of Toronto, Piet Mondrian: 1872–1944, February 12–March 20, 1966; traveled to Philadelphia, Museum of Art, April 8–May 9, 1966; Gemeentemuseum, The Hague, June 15–August 7, 1966.

Publication History

Canaday, Abstraction (1958), pp. 16 and 42 (ill.).

Canaday, Mainstreams of Modern Art (1959), p. 490 (ill.).

Blok, Mondriaan Catalogus (1964), p. 105, no. 140.

Blok, Mondriaan Catalogus (1974), p. 173, no. IIIe.

Barabara Buenger, “A Later Version of Mondrian’s Farm at Duivendrecht,” Elvehjem Museum of Art Bulletin (1981–83), pp. 36, 49–52, p. 37 (ill.).

Joop M. Joostens, Catalogue Raisonné of the Work of Piet Mondrian: 1911–1944, v. 2 (New York: Harry. Abramus, 1998), no. C8, p. 464 (ill.).

Ownership History

Dr. Eduard van der Hoop, Amsterdam; Dolly J. van der Hoop Schoenberg. Gift to Art Institute, 2001.