About This Artwork

André Derain
French, 1880–1954

Cagnes, 1910

Oil on canvas
21 9/16 x 30 1/16 in. (54.8 x 76.4 cm)
none
Worcester Sketch Fund, 1960.777

© 2008 Artists Rights Society (ARS), New York / ADAGP, Paris

Exhibition, Publication and Ownership Histories

Exhibition History

Houston, Museum of Fine Arts, Derain before 1915, November 30, 1961–January 14, 1962, n.p.

Musée d’Art Moderne de la Ville de Paris, André Derain: Le peintre du trouble moderne, November 18, 1994–March 19, 1995, pp. 174–75, cat. 81 (ill.).

Barcelona, Museu Picasso, André Derain: 1904–1912, March 18–June 29, 1997, pp. 31, 81, 122–123, cat. 40 (ill.), as Saint-Paul-de-Vence.

L’Annonciade musée de Saint-Tropez, André Derain: Paysages du midi, June 15–October 6, 2003, pp. 41 (ill.), 42, 85 (ill.), cat. 16.

Essen, Museum Folkwang, Cezanne and the Dawn of Modern Art, September 18, 2004–January 16, 2005, pp. 152–53, 160 (ill.), 187, 234.

Publication History

Art Institute of Chicago, Annual Report 1960–1961, p. 19 (ill.).

Houston, Museum of Fine Arts, Derain before 1915 exh. cat. (Houston Museum of Fine Arts, 1962), n.p.

Grung, Sandra, Supplement to Paintings in the Art Institute of Chicago: A Catalogue of the Picture Collection (Art Institute, 1971), pp. 30.

A. James Speyer and Courtney Graham Donnell, Twentieth-Century European Paintings (Chicago, 1980), p. 38, pl. 1E5.

Michael Kellermann, André Derain: Catalogue raisonné de l’oeuvre paint 1 (Paris, 1992), p. 118, fig. 192, as Village en Espagne.

Pagé, Suzanne and Françoise Marquet, André Derain: le peintre du ‘trouble moderne exh. cat. (Musée d’Art Moderne de la Ville de Paris, 1994), pp. 174–75, cat. 81 (ill).

Ocaña, Maria Teresa, André Derain: 1904–1912 exh. cat. (Barcelona: Museu Picasso, 1997), p. 81, cat. 40 (ill.), as Saint-Paul-de-Vence.

Monery, Jean-Paul, and André Desrosiers, André Derain: Paysages du midi exh. cat. (L’Annonciade musée de Saint-Tropez, 2003), pp. 41 (ill.), 42, 85 (ill.), cat. 16.

Baumann, Felix A., Walter Feilchenfeldt, and Hubertus Gassner, eds., Cézanne and the Dawn of Modern Art (Osrfildern-Ruit: Hatje Cantz Verlag, 2004), pp. 152–53, 160 (ill.), 187, 234.

Ownership History

Galerie Kahnweiler, Paris, probably acquired directly from the artist. Louis Lion & Co., New York, by February 1957 [letter of April 8, 1975 from Knoedler and Co. in curatorial file and writing on verso]; sold to Knoedler & Co., New York, February 1957–1960 [letter mentioned above and stock number on verso]; sold to the Art Institute, 1960.