Annunciation to the Shepherds

CC0 Public Domain Designation

Painting and Sculpture of Europe

c. 1710

After Jacobo Bassano
Italian, c. 1510-1592

Status: Currently Off View
Department: Painting and Sculpture of Europe

Artist: Jacopo Bassano
Title: Annunciation to the Shepherds
Place: Italy (Artist's nationality:)
Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.: 1705–1715
Medium: Oil on canvas
Dimensions: 97 × 79 cm (38 3/16 × 31 1/8 in.)
Credit Line: Charles H. and Mary F. S. Worcester Collection
Reference Number: 1935.297
IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world. Learn more.: https://api.artic.edu/api/v1/artworks/109220/manifest.json

Art Institute of Chicago Annual Report 1934–35 (Chicago, 1935), p. 19.
Daniel Catton Rich, “A Masterpiece by Piazzetta,” Art Institute of Chicago Bulletin 31 (1937), pp. 98, 99.
Daniel Catton Rich, ed., Catalogue of the Charles H. and Mary F. S. Worcester Collection of Paintings, Sculpture and Drawings (Chicago, 1938), no. 20.
Lili Fröhlich-Bum, “Neu aufgetauchte Gemälde Jacopo Bassanos,” Jahrbuch der Kunsthistorischen Sammlungen in Wien 4 (1930), pp. 243–44, fig. 254.
“Chicago: Gift of an Important Piazzetta,” Art News 35, 36 (1937), p. 8.
Art Institute of Chicago, Paintings in The Art Institute of Chicago: A Catalogue of the Picture Collection (Chicago, 1961), p. 354.
Hans Huth, “Italienische Kunstwerke im Art Institute von Chicago, USA” in Miscellanea Bibliothecae Hertzianae (Munich 1961), p. 518.
Burton B. Fredericksen and Federico Zeri, Census of Pre-Nineteenth-Century Italian Paintings in North American Collections (Cambridge, Mass., 1972), pp. 18, 270, 571.

Rotterdam, Rotterdamsche Kunstkring, “La Collection Goudstikker,” 10–25 April 1926, cat. 2.
Amsterdam, Stedelijk Museum, “Italiaansche Kunst in Nederlandsch Bezit,” July–October 1934, cat. 24.

Jacques Goudstikker, Amsterdam, by 1926 [Goudstikker stock no. 1528, based on label on reverse; exhibited Rotterdam 1926]; sold to Charles H. and Mary F. S. Worcester, 1935, as Jacopo Bassano; given to the Art Institute, 1935.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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Date Dates are not always precisely known, but the Art Institute strives to present this information as consistently and legibly as possible. Dates may be represented as a range that spans decades, centuries, dynasties, or periods and may include qualifiers such as c. (circa) or BCE.

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IIIF Manifest The International Image Interoperability Framework (IIIF) represents a set of open standards that enables rich access to digital media from libraries, archives, museums, and other cultural institutions around the world.

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